What Is Concrete Music?
The abstract nouns are used to refer to something else. Identifiable things are referred to as abstract nouns. Words like sadness, agility, philosophy, and ambitions are abstract.
Concrete nouns are more common and easier to understand. If you can use any of your senses to interact with something, that will be referred to as a concrete noun. The word air is a concrete word because you can still feel it even though you can't see it.
Getting into your mind: How abstract thinker can help you with mental health
Have you ever met someone who takes everything too literally? They may be more of a thinker. Concrete thinking focuses on what is around you.
Concrete thinking is about seeing a physical object and thinking of what's in front of you. They may see their surroundings, but they don't think about what is beyond their viewpoint. Their way of thinking changes as the child grows.
They think of objects that are not in front of them. The more abstract thinking develops over time. They learn how complex people can be.
They will learn to read and comprehend concepts that require abstract thinking skills as they learn to read. A person with a mental disorder can think more concretely. A serious social impairment is caused by people thinking in only symbolic terms.
It's more difficult to relate to someone when you can only see what's in front of you, and it's even harder to empathize with someone. Brain damage and injury can make someone think more concretely. Genetics is also involved.
Polyrhythms in Modern Music
Sampling has been a part of rap music since 1987. The inclusion of samples into rap songs is called "ancestor worship". The May 1992 newsletter of the Institute for Studies in American Music has an excellent article on the subject.
Sanjek definesversioning as the practice of taking a given recording and using its elements to create new material. Sound becomes democratic. Audio technology had a profound impact on musical structure.
Composers began to reduce the number of redundant elements in their works at the same time that music began to be recorded. Pre-twentieth-century music is filled with repetition. The lack of repetition is an important factor in the intensity of music from the early twentieth century.
The discontinuities of music videos are seen by N. Hayles as postmodern. Her ideas can be adapted to postmodern music, even if they are technologically composed. The temporality of the electronic medium is peculiar to it's surface rhythms and that's why it was important for Boulez and Wuorinen to call attention to it.
Sequestration by cutting tape is less common today. Rhythms are either played on a synthesizer or computer keyboard, or they are programmed by means of a computer program. Sequencers and software have given rise to cliches, but imaginative composers have created rhythmic patterns of great complexity and beauty.